Showing posts with label Precure. Show all posts
Showing posts with label Precure. Show all posts

Unchain My Heart (Catch)


This past week something special ended for me, and while I wouldn’t quite put it in the same league as the final episodes of Buffy the Vampire Slayer, Xena: Warrior Princess or Battlestar Galactica, it still feels like a kick in the gut and has left me feeling strangely down in the dumps.

I’m talking about the 49th episode of anime series HeartCatch PreCure!, which was broadcast on Sunday morning here in Japan. HeartCatch is the seventh version of the long-running girls' concept created by the “mysterious” Izumi Todo – actually none other than an alias for the creative types at Toei Animation.

I've known all along that production house Toei reinvent their Pretty Cure anime series every February, and that they'd done so seven times already since 2004, so I could see the writing on the wall for this particular incarnation from the moment it started in February, 2010.

Each year there’s a new super-team of Pretty Cure girls to battle baddies and dress in glitzy new ways, taking the baton from Sailor Moon but at the same time making that predecessor seem underplayed.

You can read more of this rambling yarn and about the end of HeartCatch @ the Forces Of Geek site.

Now for new incarnation Suite PreCure ♪ tomorrow.

IMAGE COPYRIGHT
© ABC 東映アニメーション

TOP 10 JAPAN!


Well now, ‘tis indeed that time again – the hilariously silly, completely self-indulgent Yuletide season that rounds out yet another year passed by; a few weeks in which people reflect and wax nostalgic over the past 12 months, bandy about inane Top 10 lists, thank-tank the best and worst, and drink way too much at rabble-rousing Christmas parties.

Never quite one to be left out of a bit of wining, dining, carousing, or making twee judgment calls myself, I here get to ruminate over Japan’s celluloid offerings in 2010 and in general. Read on and/or weep.


2010’S BEST ANIME TV SERIES

Honestly?

2010 been an absolutely dire year for TV anime, with most of the more innovative studios (Madhouse, Production I.G, Gonzo, Studio 4°C) seemingly in hibernation over the past twelve months – or at the very least keeping their claws sheathed.


While Madhouse did pull off something nifty in the Redline feature movie directed by Takeshi Koike, and Keiichi Hara’s anime movie Colorful was one of the cinematic highlights this year, the medium was lacklustre on the tellies.

It’s quite clear that the Japanese anime scene is going through a rough patch right now, very much like that which has crippled the newspaper/magazine and music industries, which may (or may not) have much to do with either the Internet or the global financial downturn or both; I’ll leave that appraisal to better qualified people.

So, it may come as some surprise to discover the series that rates as the best animated program on Japanese tellies this year.

But with all disclaimers aside, I'll readily admit it – I'm hooked watching this show every Sunday morning at 8:30, and not only because it's my four-year-old daughter Cocoa's preferred eye candy.

HeartCatch PreCure! (ハートキャッチプリキュア!) is an infectious, disarming, super-cute kids’ series that lacks the annoyance value of, say, Pokémon and has enough humour and action quotient (they kick giant monster arse every week) for adults to lose themselves in it as well.


Having kicked off on TV Asahi (Channel 10) in Tokyo back in February this year, HeartCatch is the seventh version of the long-running girls’ concept series created by the 'mysterious' Izumi Todo – actually none other than an alias for the creative types at Toei Animation.

To my mind the current is the infinitely better interpretation to date; last year’s, for example, called Fresh Pretty Cure!, was just plain bland.

By contrast, for a young girls' romp, there's a surprising sense of patience in the development of the story-telling arc of HeartCatch PreCure!, there're the surreal kaiju-style monsters every week, the villains ham it up, our heroes aspire to fashion, and the character designs are exceptionally cool.

What’s it all the fuss about, anyway?

The yarn started up with our shy, upright schoolgirl heroine Tsubomi (Cure Blossom), swathed in pink, then she was joined by trusty neighbour and fashion-minded sidekick Erika (the all-blue Cure Marine). Five months into the series, the third heroine emerged with the gold enshrouded, androgynous Itsuki (Cure Sunshine) – who dresses in boys clothes but shines in her girly PreCure persona. More recently the mysterious, reticent senior high school student Yuri was revealed to be the somewhat bitter Cure Moonlight.

While it's obviously aimed at the purchasing powers of the parents of the target demographic, there's something for everyone – even the more critical expat foreigners and their open-minded kids.

And it’s hands-down the best anime thing to screen on TV in Japan this year.


TOP 10 LIVE-ACTION & ANIME MOVIES 2010


1. Thirteen Assassins (d. Takashi Miike)
2. Redline (d. Takeshi Koike)
3. Colorful (d. Keiichi Hara)
4. Villains (d. Lee Sang Il)
5. Space Battleship Yamato (d. Takashi Yamazaki)
6. Cold Fish (d. Sion Sono)
7. Assault Girls (d. Mamoru Oshii)
8. The Last Chushingura (d. Shigemichi Sugita)
9. Caterpillar (d. Koji Wakamatsu)
10. Zebraman: Vengeful Zebra City (d. Takashi Miike)



HEARTCATCH PRECURE!
© ABC All Rights Reserved

Flash in Japan?

Anyone who's wandered through this rambling depository has possibly come up against the continuing enigma that is HeartCatch PreCure!, the seventh (and easily best) in the girls' anime concept series developed by Toei Animation to lasso young girls' hearts, their mums' wallets, and the imagination of otherwise cynical types who once dug Sailor Moon.

For the first 24 episodes after the show kicked off in February, the closing titles theme song was 'HeartCatch☆Paradise!' by PreCure regular Mayu Kudo - and as the YouTube gems below vividly display, it's been quite the hit here in Japan for the rather eccentric dance moves as much as for the groove (the first one is the real McCoy).

I think my favourite is the Blues Brothers inspired number.











A couple of months ago, however, as of episode 25, Toei up and changed the ending theme to a gospelly number (I guess as a reboot to incorporate the two new heroines, Cure Sunshine and Cure Moonlight). Repetitively titled 'Tomorrow Song 〜Song of Tomorrow〜', it's also performed by Kudo but this one has been slower on the fanbase - although it does seem to be picking up of late as you'll see below:



Cure Moonlight!


2010 been an absolutely dire year for televised anime over here in Japan, with most of the more innovative studios (Madhouse, Production I.G, Gonzo, Studio 4°C) seemingly in hibernation over the past twelve months – or at the very least keeping their claws sheathed.

While Madhouse did pull off something nifty in the Redline feature movie directed by Takeshi Koike, and Keiichi Hara’s anime movie Colorful has been one of the cinematic highlights this year, the medium was lacklustre on the tellies.

It’s quite clear that the Japanese anime scene is going through a rough patch right now, very much like that which has crippled the newspaper/magazine and music industries, which may (or may not) have a bit to do with either the Internet or the global financial downturn or both; I’ll leave that appraisal to better qualified people.

There is a bright note here, however.

One series that's kept me amused and even a little infatuated over the past six months or so has been HeartCatch PreCure!, the infectious, disarming kids’ series you might've spotted elsewhere in this rambling blog.


The yarn started up with our shy, upright schoolgirl heroine Tsubomi (Cure Blossom), swathed in pink, who was joined by trusty neighbour and fashion-minded sidekick Erika (the all-blue Cure Marine). Five months into the series, the third heroine emerged with the gold-hued, androgynous Itsuki (Cure Sunshine) – who dresses in boys clothes but shines in her girly PreCure persona.

More recently, over the past few weeks, a reticent, quietly cantankerous and quite possibly bitter senior high school student, Yuri, was revealed to be the purple-shrouded Cure Moonlight - the predecessor of our other three champions who lost her powers in a big battle with Dark Pretty Cure (that's a long story for another blog entry - or not) and two weeks ago had those powers and her attire restored.

I'd like to pretend to have some dignity, but stuff that - bring on tomorrow morning's episode...

Oh, and my excuse is that I watch it to spend time with my four-year-old daughter Cocoa, who also loves the series. Which one of us digs it the most is up for debate.

For a bit of a sneak preview, here you get to see Cure Moonlight reclaim her identity a couple of weeks back (zounds!):




HEARTCATCH PRECURE!
© ABC All Rights Reserved

HeartCatch PreCure!


OK, I'll admit it - I'm hooked watching this anime series every Sunday morning from 8:30, and not only because it's my 4-year-old daughter's preferred eye candy.

HeartCatch PreCure! (ハートキャッチプリキュア!) is an infectious, disarming and super cute series that lacks the annoyance value of, say, Pokémon.

Having kicked off on TV Asahi (Channel 10) in Tokyo back in February this year, HeartCatch is the seventh version of the long-running girls' concept created by the 'mysterious' Izumi Todo - actually none other than an alias for the creative types at Toei Animation - and to my mind its definitely the best interpretation to date.


It all started up with our shy, upright heroine Tsubomi (Cure Blossom), swathed in pink, then she was joined by trusty neighbour and fashion-minded sidekick Erika (the all-blue Cure Marine). Today, five months into the series, the third heroine emerged with the gold enshrouded, androgynous Itsuki (Cure Sunshine).


For a young girls' romp, there's a surprising sense of patience in the development of the story-telling arc, there're surreal kaiju-style monsters every week, the villains ham it up, our heroes have a sense of humour, and the character designs are way cool.

While it's obviously aimed at the purchasing powers of the parents of the target demographic, there's something for everyone - even the more critical expat foreigners and their open-minded kids.

Here're the closing credits - the CG animation really doesn't do the show itself justice, but the infectious theme song by Mayu Kudou is being heard right now everywhere over here from kindergartens to keitai ring-tones.



© ABC・東映アニメーション

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