Showing posts with label Ichikawa. Show all posts
Showing posts with label Ichikawa. Show all posts

SPOTLIGHT: An Actor’s Revenge (1963)


Released to celebrate the 300th role of iconic Japanese actor Kazuo Hasegawa, An Actor's Revenge (Yukinojo Henge, 雪之丞変化) is a superbly eclectic offering from director Kon Ichikawa (The Harp of Burma) - as surreal as it is stylized and mesmerizing cinema.

Hasegawa plays the double-role of Yukinojo Nakamura - a kabuki actor who (like Hasegawa himself) was renowned for being an onnagata, or female impersonator - and the dashing thief Yamitaro, who likes to behaves a bit like Robin Hood.

When Yukinojo chances across the three men who drove his parents to suicide decades earlier, he sets in motion a plan for revenge worthy of Shakespeare; what he discovers he can't control are the ulterior ramifications of this revenge-play, as his actions shatter innocent lives.


It's difficult to overcome the fact that lead man Hasegawa was pushing 55 here; while he was reprising a role he played before (in 1935), he's obviously too old to push the sensuality angle of the onnagata, yet still somehow tweaks it on several levels.

For his part director Ishikawa doesn't even try to suspend disbelief - into this high drama he winds liberal doses of comedy, kabuki-style sets and visuals that are stretched out within a pop art context, and some innovative sword-fighting moments that border on the dream-like.

Realism this most certainly is not, and that's the film's beauty.

Adding to the spice in An Actor's Revenge is a modern jazz soundtrack, while the acting chops are ably supported by Shintaro Katsu (of Zatoichi fame) and the stunning Ayako Wakao, who previously shone as Eiko in Kenji Mizoguchi's The Geisha (1953), and is devastating here.

While not Ishikawa's grandest achievement, it's still a hypnagogic gem well worth the viewing, and the cool cats at Madman Entertainment in Australia are going to be releasing this in July - check here for more details.



Images © 1963 Kadokawa Pictures, inc.

Super Jetter! 未来から少年スーパージェッター


I know, I know - I'm ready for the quip:

Who?

In case you're one of the unlucky many in the dark (actually, this should read about 99.999% of the global population if my calculations are correct) and/or you don't happen to cotton on to the name straight off the bat, Super Jetter is the story of a 30th century crime-fighter who jetted about in a time-skipping vessel called Ryusei-go (Shooting Star).

It played along the same lines – while it's been somewhat overshadowed by - contemporary 1960s anime peer Prince Planet, aka Planet Boy Popi (遊星少年パピイ) over here in Japan.

You can't even begin to compare it with Osamu Tezuka's iconic Astro Boy.

But I really do dig this series and it was commemorated in Japan just a few years back with the release of the CR Super Jetter pachinko machine; there are also some wayward otaku aficionados over here who do remember the man and his spiffy flying car.

One of these is Osamu Kobayashi.

He was the director of the anime fashionista series Paradise Kiss for Madhouse Studios and previously directed Gad Guard, Beck: Mongolian Chop Squad and End of the World; more recently he was a guest director on Gurren Lagann - and way back worked on the 1993 anime reinterpretation of Yukito Kishiro’s manga Gunnm... better known internationally as Battle Angel Alita, the on-again/off-again live-action love project for director James Cameron.


Super Jetter, according to Kobayashi, was his favourite anime when he was a kid, and the reason for his own abiding affection for the 45-year-old show?

“Because I liked the central character, and the science fiction mind-set was interesting,” he quite simply declares.

It's the simplicity that works for Super Jetter as well. Sadly Osamu Ichikawa, the man who did the voice of Jetter, passed away just last year.

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